Friday Flashback #560


From early 2002, a list of movies created using Softimage products:

TitleCustomerYear
101DalmationsIndustrial Light & Magic1996
12 MonkeysPeerless Camera1996
A Simple WishBlue Sky1997
AIILM2001
Air Force OneCinesite1997
Alien ResurrectionBlue Sky – VIFX1997
An American Werewolf in ParisSanta Barbara Studios1997
AnastasiaFox Animation Studio1997
AntzPacific Data Images &  Dreamworks Pictures          1998
*Babe: Pig in the CityAnimal Logic1998
BaltoAmblimation1995
Batman and RobinBUF Compagnie1997
CasperIndustrial Light & Magic1995
Cats and Dogs2001
ContactSony Pictures, Imageworks and Weta Ltd.1997
Death Becomes HerIndustrial Light & Magic1993
Deep ImpactIndustrial Light & Magic1998
Deep RisingIndustrial Light & Magic1998
DragonheartIndustrial Light & Magic1996
EraserMass Illusion1996
Fear & Loathing in Las VegasPeerless Camera1998
Fight ClubPixel Liberation Front & BUF1999
FlubberIndustrial Light & Magic1998
Forces of NatureDreamworks Pictures1999
Galaxy QuestIndustrial Light & Magic1999
*GladiatorMill Film2001
GodzillaCentropolis1998
Jack FrostIndustrial Light & Magic and Warner Bros1998
Joe’s ApartmentBlue Sky1996
Judge Dredd1995
JumanjiIndustrial Light & Magic1995
*Jurassic ParkIndustrial Light & Magic1993
Jurassic Park 2Industrial Light & Magic1998
Jurassic Park 3Industrial Light & Magic2001
La Cite des Enfants PerdusBUF Compagnie1995
Lost in SpaceFramestore1998
Mars Attack!Industrial Light & Magic1996
*MatrixMVFX1998
Men in BlackIndustrial Light & Magic1997
Meet Joe BlackIndustrial Light & Magic1998
Mission ImpossibleIndustrial Light & Magic1996
Mortal Kombat: AnnihilationThe Digital Magic
Moulin RougeAimal Logic2001
My Favorite MartianTippett Studio1998
Pearl HarborIndustrial Light & Magic2001
Planet of the ApesIndustrial Light & Magic2001
Prince of EgyptDreamworks Pictures1998
Saving Private RyanIndustrial Light & Magic1998
ShrekPDI, Dreamworks2001
ShadowsMitch Levine, Director2000
Small SoldiersIndustrial Light & Magic1998
Snake EyesIndustrial Light & Magic1998
Space JamIndustrial Light & Magic1996
SpawnIndustrial Light & Magic1997
Species IIDigital Magic & Transfer1998
Speed 2Industrial Light & Magic1997
SphereCinesite1998
Starship TroopersTippett Studio1997
Star Trek: First ContactIndustrial Light & Magic1996
Star Trek: GenerationsIndustrial Light & Magic1994
Star Wars TrilogyIndustrial Light & Magic1997
Star Wars: Episode 1 The Phantom MenaceIndustrial Light & Magic2000
Stuart LittleCentropolis FX1999
Surviving PicassoPeerless Camera1996
T2-3DDigital Domain1996
The Adventures of PinocchioMediaLab1996
The BorrowersFramestore1998
The EdgePeerless Camera1997
The Fifth ElementDigital Domain1997
The FlinstonesIndustrial Light & Magic1994
The FrightenersWeta Ltd.1996
The Island of Dr. MoreauDigital Domain1996
The Lost WorldIndustrial Light & Magic1997
The MaskIndustrial Light & Magic1994
The MummyIndustrial Light & Magic1999
The Mummy ReturnsIndustrial Light & Magic2001
The ONERiot!2001
The RelicVIFX1997
The ShadowR/Greenberg & Associates1994
The Thin Red LineAnimal Logic1998
*TitanicDigital Domain1997
*What Dreams May ComeBlue Sky1998
X-MENDigital Domain2000
Motion Pictures Created Using Softimage Products
(Representative Sample)
* denotes films that have won an Academy Award for Visual Fx

Friday Flashback #566


Rock Solid Reputation

Softimage 3D has been production-proven by nearly every major film, video, and game producer
around the world. They relied on Softimage 3D to produce incredible animation for Jurassic Park,
The Mask, Casper, Jumanji, Reboot, Liquid Television, Sega Virtua Fighter, and countless commercials, videos, and interactive titles. They stake their reputation on Softimage 3D because it’s come through for them over and over again.

Friday Flashback #562


Digital Video – The Environment Redefined

Picture this – A director, a video editor, and an audio engineer sit at a computer console reviewing an elaborate video production. From any PC on their distributed network, they can view, edit, or add any type of image or audio effect – 3D animation, wipes, fades, live feed composites, 2D or 3D paint – all in real time, uncompressed D1 video, and all using the same software application.

Though they have different areas of expertise, they’ve all been working in a single integrated environment which adapts to the media-specific talent of each artist. This fusion of ideas, media, and tools, gives the team more creative freedom than they have ever experienced before.