1997 version of softimage.com
SOFTIMAGE – Discover how our products will transform the industry

softimage.com was first launched in October 1994
1997 version of softimage.com
SOFTIMAGE – Discover how our products will transform the industry

softimage.com was first launched in October 1994
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SOFTIMAGE|3D now starting at $4,995

Image courtesy of Digital Domain’s new “Tightrope” short 1998.
Daniel Robichaud, writer/director
Softimage started with $350,000 in venture capital funding. Here’s some comments from Loudon Owen, who with John Eckert helped finance and advise Softimage in its growth.
Proceedings of the Standing Senate Committee on Banking, Trade and Commerce
Issue 51 – Evidence
TORONTO, Thursday, April 29, 1999
The Standing Senate Committee on Banking, Trade and Commerce met this day at 9:00 a.m. to consider the present state of the financial system in Canada (equity financing).
From the opening comments by Mr. Loudon F. Owen, Managing Partner, McLean Watson Capital Inc.:
When we started, we were trying to raise money for a company in Montreal called Softimage. We were carrying around our little flip books but nobody wanted to give us money. We were quite astonished because we thought it was an exciting opportunity. We spoke to American venture capital firms, we spoke to Canadian venture capital firms and we decided there was an opportunity for a highly specialized venture group, so that is what we set up. We invest exclusively in software companies. We were highly focused, driven by what we perceived to be a market need. That was quite a few years ago and I think the market has changed dramatically in the last five years. However, that was what gave us the impetus to go forward.
I do not know if you have heard about Softimage. It is an animation software company. If you have seen Titanic, Jurassic Park, Death Becomes Her or most of the commercials on the television, you will have seen Softimage’s technology. The company was funded with $350,000. The shares which we receive from Microsoft are today worth $2.2 billion. It has 400 employees in Montreal and it was instrumental in building the animation industry in Montreal. There have been a variety of spinoff companies such as Discreet Logic and other companies in Montreal, so the company grew pretty dramatically. The only venture capital that went in was $350,000. After that it went public on the NASDAQ.
Our role was to invest. John Eckert and I share the duties of chief operating officer, and took it public on the NASDAQ. It was the first Quebec company to make its initial public offering on the NASDAQ. We considered the Canadian markets and elected not to go public here. We then sold it to Microsoft. We took the company from the initial point of investment, with its four employees, including the founder, Daniel Langois, to over 200 when we sold it to Microsoft.
On the question of whether Quebec was a hot of entrepreneurship [at that point in time, 1999] due to a more favourable regulatory and tax climate or just because people are more into the culture of entrepreneurship:
Do hotbeds of technology or clusters grow naturally because they are sponsored and supported? Again, it is a combination. I think Montreal’s animation, post-production and special effects community grew without any government support. For example, neither Softimage nor Discreet Logic had any significant government support or tax breaks. In fact, we tried to sell our first product to the CBC, and they would not buy it. They bought a French product, so we had to go to France and sell our first product there.
These companies grew up indigenously through their own creative efforts. What is happening now to sustain those industries and help them grow with their larger working capital requirements is assisted by government efforts.
Loudon Owen is co-founder of McLean Watson Capital. Prior to establishing McLean Watson Capital, Loudon and John Eckert financed and advised Softimage, a world leader in high-end 3D animation, in its growth from 4 to 250 employees, its IPO on Nasdaq in 1992 and the sale to Microsoft in 1994. Loudon and John served as the Joint COO for Softimage from 1993 to its sale.
Hmmm…last Friday was the 19th anniversary of the Microsoft purchase of Softimage (15 Feb 1994). I really missed it on that one. Now I’ll have to wait for the 20th anniversary; hopefully I’ll still be doing Friday Flashbacks this time next year.
Anyways, on to this week’s flashback…From Jurassic Park (1993) to Gladiator (2001), a “representative sample” of motion pictures created with Softimage products.
| TITLE | CUSTOMER | YEAR |
|---|---|---|
| Gladiator | Mill Film | 2001 |
| Jurassic Park 3 | Industrial Light & Magic | 2001 |
| Moulin Rouge | 2001 | |
| The Mummy Returns | 2001 | |
| Shadows | Mitch Levine Director | 2000 |
| Star Wars: Episode 1 The Phantom Menace | Industrial Light & Magic | 2000 |
| X-MEN | Pacific Ocean Post | 2000 |
| Fight Club | Pixel Liberation Front & BUF | 1999 |
| Forces of Nature | Dreamworks Pictures | 1999 |
| Galaxy Quest | Industrial Light & Magic | 1999 |
| Stuart Little | Centropolis FX | 1999 |
| The Mummy | 1999 | |
| Antz | Pacific Data Images & Dreamworks Pictures | 1998 |
| Babe: Pig in the City | Animal Logic | 1998 |
| Deep Impact | Industrial Light & Magic | 1998 |
| Deep Rising | Industrial Light & Magic | 1998 |
| Fear & Loathing in Las Vegas | Peerless Camera | 1998 |
| Flubber | Industrial Light & Magic | 1998 |
| Godzilla | Centropolis | 1998 |
| Jack Frost | Industrial Light & Magic and Warner Bros | 1998 |
| Jurassic Park 2 | Industrial Light & Magic | 1998 |
| Lost in Space | Framestore | 1998 |
| Matrix | Animal Logic | 1998 |
| Meet Joe Black | Industrial Light & Magic | 1998 |
| My Favorite Martian | Tippett Studio | 1998 |
| Prince of Egypt | Dreamworks Pictures | 1998 |
| Saving Private Ryan | Industrial Light & Magic | 1998 |
| Small Soldiers | Industrial Light & Magic | 1998 |
| Snake Eyes | Industrial Light & Magic | 1998 |
| Species II | Digital Magic & Transfer | 1998 |
| Sphere | Cinesite | 1998 |
| The Borrowers | Framestore | 1998 |
| The Thin Red Line | Animal Logic | 1998 |
| What Dreams May Come | Pacific Ocean Post | 1998 |
| A Simple Wish | Blue Sky | 1997 |
| Air Force One | Cinesite | 1997 |
| Alien Resurrection | Blue Sky – VIFX | 1997 |
| An American Werewolf in Paris | Santa Barbara Studios | 1997 |
| Anastasia | Fox Animation Studio | 1997 |
| Batman and Robin | BUF Compagnie | 1997 |
| Contact | Sony Pictures Imageworks and Weta Ltd. | 1997 |
| Men in Black | Industrial Light & Magic | 1997 |
| Mortal Kombat:Annihilation | The Digital Magic | 1997 |
| Spawn | Industrial Light & Magic | 1997 |
| Speed 2 | Industrial Light & Magic | 1997 |
| Starship Troopers | Tippett Studio | 1997 |
| Star Wars Trilogy | Industrial Light & Magic | 1997 |
| The Edge | Peerless Camera | 1997 |
| The Fifth Element | Digital Domain | 1997 |
| The Lost World | Industrial Light & Magic | 1997 |
| The Relic | VIFX | 1997 |
| Titanic | Digital Domain | 1997 |
| 101Dalmations | Industrial Light & Magic | 1996 |
| 12 Monkeys | Peerless Camera | 1996 |
| Dragonheart | Industrial Light & Magic | 1996 |
| Eraser | Mass Illusion | 1996 |
| Joe’s Apartment | Blue Sky | 1996 |
| Mars Attack! | Industrial Light & Magic | 1996 |
| Mission Impossible | Industrial Light & Magic | 1996 |
| Space Jam | Industrial Light & Magic | 1996 |
| Star Trek:First Contact | Industrial Light & Magic | 1996 |
| Surviving Picasso | Peerless Camera | 1996 |
| T2-3D | Digital Domain | 1996 |
| The Adventures ofPinocchio | MediaLab | 1996 |
| The Frighteners | Weta Ltd. | 1996 |
| The Island of Dr. Moreau | Digital Domain | 1996 |
| Balto | Amblimation | 1995 |
| Casper | Industrial Light & Magic | 1995 |
| Judge Dredd | 1995 | |
| Jumanji | Industrial Light & Magic | 1995 |
| La Cite des Enfants Perdus | BUF Compagnie | 1995 |
| Star Trek:Generations | Industrial Light & Magic | 1994 |
| The Flinstones | Industrial Light & Magic | 1994 |
| The Mask | Industrial Light & Magic | 1994 |
| The Shadow | R/Greenberg & Associates | 1994 |
| Death Becomes Her | Industrial Light & Magic | 1993 |
| Jurassic Park | Industrial Light & Magic | 1993 |
Yay! Two years worth of friday flashbacks!!
Friday Flashback #1 was posted on 14 Jan 2011.
Today’s flashback is courtesy of Chris Marshall. Thanks Chris!
It’s a slideshow so wait a sec…
Just about 13 years ago to the day, the URL http://www.3dwillneverbethesame.com went live.

Sumatra is Coming from http://www.3dscena.cz
Rather predictably, this sparked some debate on the mailing lists, with a number of different riffs on the URL, including “www.toolittletoolatewearebuyingmaya.com”:
Sorry Softimage, your software has served me well, but it’s time to wake up and smell the coffee. You sat around on your ass too long while I watched everybody around me switch to Maya, now it’s my turn. I’m actually excited to learn Maya, it seems like it’s creators are willing and able to stay up-to-date and on the cutting edge.